Review: Justin Vivian Bond

I’ve often referred to Judy Collins as a river of song – it just flows out of her in a gorgeous shimmering stream. Justin Vivian Bond is more like a tower of song – mysterious, imposing, beautiful, powerful and sometimes explosive. JVB’s current show “Under the Influence” is a tribute to Collins, part of Collins’ 2019 Vanguard Award and Residency at Joe’s Pub.

V considers Judy Collins to be v’s own spiritual baby sitter and music teacher. Collins significantly if indirectly educated Justin in music – all by the songs and songwriters Collins covered. So, with only a couple exceptions, Bond performs songs written by songwriters she discovered through Collins – but which Judy herself did not sing.

Bond’s taste in songs is impeccable, and v approaches them with the touch of a very careful curator. A curator, that is, who finds what is most explosive in the art they’re presenting, and then promptly detonates it. V turns David Crosby’s “Almost Cut My Hair” into something more rawly emotional, and fiercely sharpens the danger in Leonard Cohen’s “First We Take Manhattan” (in probably the best version of that song I’ve ever heard). V’s climactic rendition of Bob Dylan’s “All Along the Watchtower” truly burns down the house.

One of the best features of all of Bond’s shows is v’s acidly funny, stream of consciousness, between-song patter (which has had the downside of making certain shows marathon length, but not here). As always Bond is hilariously entertaining, wildly imaginative and vividly expressive. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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