Drag Race fan favorite Trixie Mattel is out to prove her versatility with this new show, entitled Now with Moving Parts! The majority of the show sticks to her main talent: stand-up filled to the gunnels with comedy that’s either perverse or dark. She clearly has a natural aptitude for the form, and she’s been paying attention to how the best stand-up acts have been built for some time now – circling in from a highly topical and satirical beginning to a very personal and more thematically serious ending. Trixie’s also very gifted at meta-comedy, getting a secondary laugh when she reads the room’s reaction – or freely admitting she loves a certain bit so she’s keeping it, audience reaction be damned!
However, there is an extended, virtuoso lip-synch about “good christian bitches” that stitches together fragments of songs and movie dialogue in a manner that owes a lot to the legendary Lypsinka, which ends with a costume reveal that owes a lot to Lady Bunny. This girl pays homage to tradition, but also makes these moments uniquely Trixie.
Mattel also injects more music into her show this time – generally folksy comedy songs that prove “just how fucking white I am” – that include a hilarious acoustic take on a RuPaul dance track, some impressive live-sampled duets with herself, and as some autoharp fun for the finale. It’s all good clean dirty fun, and definitely recommended.
For tickets, click here.
To learn about Jonathan Warman’s directing work, see jonathanwarman.com.
2 thoughts on “Review: Trixie Mattel”
Reblogged this on Gay Socialites.
LoVe It! Just –> WonDeRfuL!!