Review: Candis Cayne & Lina Bradford

They. Are. Legendary. They call themselves drag goddesses, and, honey, they aren’t even trying to be modest when they say it. Besides, “drag queens” suggests boys in dresses, and both Candis and Lina have long since identified as trans women. They are both transgender trailblazers of no doubt – Candis was the first transgender actress playing a regular transgender character in television history, and Lina blazed her own trails as an international DJ. But long before that they were two of the most exciting performers on the drag scene, especially when these sisters performed together.

They are, individually and together, the best dancers in the lip-synching world, so it’s altogether fitting that their show “Life Becomes Her” has lots of fantastic lip-synching and dancing. They hit the stage like a fireball, doing the big fight scene from the film Death Becomes Her, complete with accurate Meryl Streep and Goldie Hawn costumes. Then they launch into a high-kicking version of Loni Clark’s “Rushing,” the kind of deep house classic that was their signature style at venues from Palladium to Barracuda and beyond.

The greatest pleasure for me, though, was seeing how much they’ve polished their comedy. They always incorporated humor into their lip-synch (Lina’s no stranger to making faces), but the timing of their patter has become something special. The show is a bit on the long side, but they are so engaging that you almost don’t want it to end. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.