Review: New York Spectacular

Rockettes New York Spectactular

If you love New York, there are a handful of lump-in-your-throat moments in the Rockettes’ New York Spectacular. Sure, they are rather baldly emotionally manipulative, but I for one didn’t care – I got the feeling that all of the creators of this extravaganza were sincere in their own love of the Big Apple, and that makes a big difference.

Of course the Rockettes have been famous for over 80 years for their Christmas Spectacular. New York Spectacular replaces Christmas with the city itself, to marvelous effect. Broadway scribe Douglas Carter Beane (Rodgers + Hammerstein’s Cinderella, Xanadu, The Nance) weaves a story of two tourist kids separated from their parents during a summer vacation. Beane hit upon the clever idea of having the statues of the city be the children’s guides. In particular Euan Morton is fantastic, in silver-toned voice as main guide Mercury (from the front of Grand Central Terminal).

But of course the Rockettes are the star of the show. Their first entrance is breathtaking, as they charge through jets of stage fog, marching rapidly forward with their signature precision. The whole opening number totally whets the appetite for what follows. Highlights include a “Singing in the Rain” number in Central Park, a Fashion Avenue tribute set to Madonna’s “Vogue” – which has the added pleasure of seeing the Rockettes in glitzy non-matching outfits by Emilio Sosa (Project Runway, Motown the Musical, The Gershwins’ Porgy and Bess) – and a finale satisfyingly full of high kicks.

Stunning projections by Moment Factory add considerably to the all-over spectacle. Director/choreographer Mia Michaels has pulled together a daunting number of elements and collaborators to put together an extravaganza that can hold its head up high next to the Rockettes’ legendary holiday-season shows. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see

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