Review: Marcos Valle

I like bossa nova singer / songwriter and all around luminary Marcos Valle because he combines a strong sense of syncopation and groove with a rich and vibrant harmonic palette – these things will get my attention anytime. Add to that a sunny disposition and sensibility best expressed by his signature song “Summer Samba (So Nice)” (made famous by Astrud Gilberto), and I’m in musical love.

In his current club act at Birdland, Valle is backed by a quartet of musicians whose precision and energy border on the supernatural. When they lock into the groove that Valle is playing on the keyboard – which is most of the time – the room positively levitates with musical excitement in its most direct form. The effect is so dynamic, in fact, that I found myself wishing that Birdland had a dance floor. Even more than your typical samba, this is music that moves.

About half of the concert is with Brazilian cellist Jacques Morelenbaum and vocalist wife Paula, who were both in bands with the legendary bossa nova composer Antonio Carlos Jobim. This show is partially a 60th anniversary celebration of the release of “Chega de Saudade,” considered to be the first recorded bossa nova song. Jobim wrote it, and most of the songs in this half are Jobim songs. Hot stuff, indeed!

Valle is also joined by his vocalist wife Patricia Alvi on a handful of numbers, and she brings a quality similar to the women of Sergio Mendes’s Brasil ’66, which works especially well on Valle’s 1967 bossa nova classic “Crickets.” Overall, one of the most stimulating cabaret shows I’ve seen in some time.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Review: John Pizzarelli and Daniel Jobim

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The duo of John Pizzarelli and Daniel Jobim playing and singing bossa nova are the ultimate in cool. Pizzarelli represents the very height of cabaret’s jazzier side, with profound musical intelligence at work. Jobim is part of a legendary Brazilian musical dynasty: his grandfather was Antonio Carlos Jobim, one of Brazil’s all-time greatest songwriters and composers, and one of the original architects of bossa nova.

This act, entitled “Strictly Bossa Nova II” is supremely laid back, in true bossa nova spirit. Laid back, yes, but also full of panache and musical elegance. Even the patter isn’t really patter, just a couple of very witty friends sharing stories and jokes.

They apply bossa nova style, not only to songs originally written in that style, but to great North American songs like the Gershwins’ “’S Wonderful”, which responds beautifully to the bossa nova treatment. That particular idea isn’t original with these two – “’S Wonderful” was the opening track on Brazilian guitarist/vocalist João Gilberto’s 1977 album Amoroso, and Pizzarelli is very explicit about the debt both this cabaret act and he personally owe to that album.

The most sparkling parts of the evening are songs by Antonio Carlos Jobim. Most moving is the pairing of Stephen Sondheim’s “I Remember” with Jobim’s bristlingly poetic “Waters of March”. Pizzarelli said before the songs that the transition between the two made him inexplicably cry. I expected not to respond that way, and yet I did. And I think I know why: “I Remember” is a song of immense longing for absent things, and “Waters of March” makes you strongly feel the presence of all the objects it catalogues. Very, very intense. The whole evening, highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

Cabaret Review: John Pizzarelli (featuring Daniel Jobim)

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The duo of John Pizzarelli and Daniel Jobim playing and singing bossa nova are the ultimate in cool. Pizzarelli represents the very height of cabaret’s jazzier side, with profound musical intelligence at work. Jobim is part of a legendary Brazilian musical dynasty: his grandfather was Antonio Carlos Jobim, one of Brazil’s all-time greatest songwriters and composers, and one of the original architect’s of bossa nova.

This act, entitled “Strictly Bossa Nova” is supremely laid back, in true bossa nova spirit. Laid back, yes, but also full of panache and musical elegance. Even the patter isn’t really patter, just a couple of very witty friends sharing stories and jokes.

They apply bossa nova style, not only to songs originally written in that style, but to great North American songs like the Gershwins’ “Fascinating Rhythm” and Cole Porter’s “I Concentrate on You”, both of which respond beautifully to the bossa nova treatment. They even apply it to Paul McCartney’s marvelous American Songbook tribute “My Valentine”, together with choice stories about Pizzarelli working with Sir Paul.

Still, the most sparkling parts of the evening are songs by Antonio Carlos Jobim, most of all his bristlingly poetic “Waters of March”. The only bossa nova evening I like nearly as much as this was another Pizzarelli act, and I think this is even better than that one. Highly recommended.

For tickets, click here.