Review: Tony Danza

Since his TV career descended from the stratospheric heights of hit after hit, namely Taxi and Who’s the Boss, Tony Danza has made an art of being an Italian-American boy from Brooklyn song-and-dance man. You know, in the tradition of guys named Crocetti and Benedetto. Ooops, I mean their stage names Dean Martin and Tony Bennett, and I forgot the one who didn’t change his last name, Sinatra. To be fair, only Bennett is the only one who comes close to Danza’s NYC bona fides. Even Sinatra was from, ahem, Hoboken.

Danza sings the songs that these goombahs made famous, but he really has Sinatra bona fides. He gained his love of “The Chairman of the Board” from his mother, who was one of the original “bobbysoxer” girls who first screamed for Frankie in New York’s Paramount Theatre in the early 1940s (think BTS stans today). Plus, in his Taxi days (late 1970s) one of Sinatra’s favorite songwriters Sammy Cahn took Danza under his wing and mentored him.

Now all of this is a long time ago, and Danza is frank (see what I did there?) about this – he says there are three stages of life: youth, middle age and “You look good!” And he does look good, and not just for that bracket. He does a Cahn medley that has real warmth to it. And that’s part of his charm overall – warmth and sincerity. Also special is his embrace of a lesser-known song, Artie Butler’s “I Don’t Remember Ever Growing Up”; what person past early middle age doesn’t understand that? Plus the fact that he peppers his Rat Pack-style crooning with above average tap dancing and ukulele playing…the guy has the spirit of a classic all-around entertainer. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.wordpress.com.

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