Review: Mr. Saturday Night

This tribute to Catskills comedy – as told through the life story of Buddy Young Jr. who goes from Borscht Belt headliner to TV star to obscurity – is equal parts classic comic shtick (delivered by one of our greatest living comedians) and schmaltz (leavened with flashes of genuine emotion). Billy Crystal plays Young with his usual verve, adding a little soft shoe and expessive singing to his performing repetoire. It’s a real shame that Mr. Saturday Night closes on September 4, it’s a genuinely pleasurable and charming musical – whose main aim is to (in the words of Crystal’s first song) provide “A Little Joy” – and how often do we get one of those?

While much of the plot takes place in 1994, we get generous servings of Buddy’s Catskills act and TV sketches, taking place in the late ’40s and early ’50s, in which Crystal shines the brightest, being on his home ground of stand-up. As Buddy watches the 1994 Emmy Awards, he sees his own face in the “In Memoriam” section. The fact that he actually isn’t dead gets him a new flash of celebrity, including an appearance on Today, which catches the eye of a major talent agency.

This is the kind of relatively light-hearted musical where you root for the main character to earn redemption and win out. The way he gets there may be a touch contrived, but is satifying nonetheless. The score, lyrics by Amanda Green and music by Jason Robert Brown, is brisk, tuneful and jazzy. Recommended, get it while you can!

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.wordpress.com.

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