Review: Clint Holmes and Billy Stritch with The Christian Tamburr Trio

Cabaret legend Billy Stritch has teamed with jazz singer Clint Holmes for an act at the Birdland Theater entitled “Straighten Up and Fly Right” which pays tribute to the great Nat “King” Cole. Given this combination of performers, it’s not a surprise that the show is jazzy as heck. Pianist / vibraphonist Christian Tamburr and his trio up the jazz ante further still, at one point leaving Tamburr chuckling “so many notes, so many notes!”

Every arrangement, most of them by Tamburr, are wonderfully complex but leave a lot of room for spontaneity from any or all parties. They open with a swinging version of “Straighten Up and Fly Right” which relies heavily on the marvelous way Stritch and Holmes’s voices blend, especially when they harmonize. They harmonize a lot over the course of the evening, sometimes on an equal footing, sometimes as backup for each other, always to good effect.

Clint Holmes has established himself as a cabaret artist of great intelligence. He has been a Las Vegas performer for decades, but exhibits none of the negative qualities you associate with Vegas. He only has the good Vegas stuff: He is nothing if not sincere and authentic, and possesses a magnetic stage presence and a practiced but subtle showmanship that underlines what’s important in the show without overselling it. Stritch has a lot to do in the show, but Holmes has the lion’s share of solo singing, a wonderful thing, especially in those moments when he has his sensitive way with Cole’s more famous ballads.

Stritch’s part of the evening is more of the infotainment variety of cabaret, which I very much mean as a compliment. He unearths some of Cole’s more obscure numbers, and gives them nuanced, memorable readings. Together, they make very high end cabaret. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

2 thoughts on “Review: Clint Holmes and Billy Stritch with The Christian Tamburr Trio

  1. Pingback: REVIEW: Clint Holmes & Billy Strich At Bridland - Drama Queen - LYDIALIEBMAN.COM

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.