Review: John Pizzarelli

It’s common courtesy in a jazz setting to applaud for a bit after everybody’s solos, and indeed bandleader John Pizzarelli frequently points at one of the instrumentalists as if to say “give it up for so-and-so”! More often in this show, though, the onslaught of flashy jazziness is so relentless that you don’t applaud for fear of missing something amazing.

It’s always great to see a cabaret performer you’ve seen with smaller combos perform with a big band. Seeing John Pizzarelli with Swing 7 – a seven piece rhythm and brass band – is “too marvelous for words.” He embodies cabaret’s jazzier side with astonishing elan and profound musical intelligence. Especially in the evening’s climax, Duke Ellington’s “C Jam Blues” (otherwise known as “Duke’s Place”) in which John and the band solo with vigor, verve and virtuosity.

John plays guitar with amazing fluidity and elegance, with nonpareil mastery of a technique called “guitar harmonics” that produces high notes of extraordinary expressiveness. Pizzarelli finds many ways to put his own interpretive twist on the songs he performs. He has a particular genius for chordal improvisations, exposing hidden musical meanings in the most familiar of standards.

Also, as a singer John is very sensitive to the multiple meanings a good lyric can have, and has an uncanny ability to communicate several at once. Overall, the singing’s smart, the music’s deftly swung and the atmosphere sparkles. Neither jazz nor cabaret gets much better than this.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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