It’s hard to go wrong with an evening of Cole Porter sung well, whatever shape that takes. If that shape happens to be a sparkling revival of what is arguably his best score, Kiss Me, Kate, all the better. Roundabout Theatre’s new Broadway revival is just such a creature, a fine example of the delicious pleasures that traditional musical comedy can offer.
Kiss Me, Kate follows exes Fred Graham (Will Chase) and Lilli Vanessi (Kelly O’Hara) during out of town tryouts for a musical version of Shakespeare’s The Taming of The Shrew that Fred has devised as a vehicle for them. They spar onstage and off, reflecting the fractious relationship of the characters they play in the Shakespeare.
The biggest pleasure here, unsurpisingly, is O’Hara’s gorgeous renditions of Porter songs. Her “So In Love” nears being a definitive version, but her “I Hate Men” is a revelation for other reasons: she’s not in a rage, but instead calmly laying out why men are awful. That’s part and parcel of a general reimaging of the show to empower Lilli, which also involves some tweaks to book and lyrics by the brilliant Amanda Green.
Another standout is Warren Carlyle’s choreography, some of the best I’ve evver seen from him. In “Bianca” he has Corbin Bleu althletically tapping up and down steep sets of stairs. A truly stunning “Too Darn Hot” has flashes of Fosse and “eccentric dancing” woven into a dazzling tapestry of dance that is Carlyle’s own. Highly recommended.
For tickets, click here.
To learn about Jonathan Warman’s directing work, see jonathanwarman.com.