Regarding #BlackLivesMatter, this play hits every piece of information you need to know, and every raw nerve you need to know about. In American Son, in the middle of the night, black mother Kendra (Kerry Washington) is frantically trying to discover news of her missing son at a Miami-area police station.
Playwright Christopher Demos-Brown, whose plays are frequently produced in Florida, is also a trial attorney in that state, so he writes from a direct knowledge of the issues. He offers no easy answers, but shows us every facet of this thorny situation, with great empathy. It’s very much an issue or “thesis” play, a kind of play originated by Alexandre Dumas fils with his Camille, and brought to maturity with Ibsen’s A Doll’s House. In that vein, American Son is as smart and gripping as they come.
Most thesis plays have characters that speak uncomfortable truths with great clarity, and in this play that is the late-appearing Lieutenant John Stokes (Eugene Lee). The part is relatively small, but Lee clearly knows what a plum it is, giving a performance that I sincerely hope is remembered at awards time.
The main draw here is of course Kerry Washington, and she is as good as I’ve ever seen her. Kendra is the largest and most complex role in the play, and Washington deftly navigates every turn. She and the remainder of the cast are ably aided by director Kenny Leon, who gets the tension high where it needs to be, while giving needed moments of breathing room in this tight coil of a play. Recommended.
For tickets, click here.
To learn about Jonathan Warman’s directing work, see jonathanwarman.com.