Review: Midnight at the Never Get

This show is a “memory” musical, in much the same sense that The Glass Menagerie is a “memory” play. Singer Trevor (Sam Bolen), shows us his young self, in the early- to mid-1960s, when he was in love with a young pianist / composer named Arthur (Jeremy Cohen). And like memory, what Trevor shows us is unreliable: was Arthur a an idealist or an opportunist? Was Trevor the love of Arthur’s life? His muse? Something else altogether?

It’s seen through the lens of the act they did together in the back room of a gay bar, the titular Never Get. Mark Sonnenblick’s emotional music and elegant lyrics hearken back to the Great America Songbook, giving Arthur’s songs a distinctive voice. One thing Trevor does remember clearly was Arthur’s passion for Porter, Gershwin and so forth, and the feeling that this kind of music was getting lost in the rise of rock and roll.

Bolen is quite appealing as the love-struck Trevor, and sings Sonnenblick’s compositions with a tenderness well suited to the story. He’s also capable of a très gay élan for the evening’s lighter moments. Jeremy Cohen plays piano and acts with great ease and sophistication. Orchestrator Adam Podd has arranged the songs for a medium sized band with a horn section, and they sound more like an ensemble at the chic Blue Angel than a place like the Never Get – which serves both the story and the music very well indeed. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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