Review: The Count Basie Orchestra

This big band has been in continuous existence (with the shortest of breaks in the early 1950s) for 83 years now. I attribute their longevity and continued popularity to the fact that they are “the band that plays the blues” as their motto goes. Bluesiness has never gone totally out of fashion, being an important part of jazz, rock and hip-hop. This big band was “rhythm and blues” long before that term existed, and they still can’t be beat for rhythm or blues today.

Their command of volume control, both loud and soft, is astonishing; there’s a number in their current songlist at Birdland where they put this on gratuitous display. Bandleader Scotty Barnhart gives the signal to the rhythm section to bring the volume down, again and again, until you think they can’t get any quieter, and then take it down some more. Astonishing.

Though the band is know for the tightness of its ensemble playing, each member of the orchestra is a serious soloist in their own right. For the number “Basie Power” the alto sax section of Dave Glasser and Immanuel Wilkins traded solos with an intensity that edged towards bebop. Hot hot hot.

You need a big brassy voice to sing over this band – of its 20+ pieces, over 90% are brass. Carmen Bradford certainly fits the the bill, belting “I Love Being Here With You” with great vigor and bluesiness. Though Count Basie passed in 1984, his orchestra continues to be as dynamic and forceful as ever. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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