When I first read Bernard Shaw’s Saint Joan, it gave me the impression of telling the story of Joan of Arc as if she were another thoroughly modern young Shavian heroine, like Major Barbara Undershaft, Vivie Warren or Eliza Doolittle. The characters portrayed in Saint Joan may have been French folk of the Late Middle Ages, but they sounded like early 20th-century English business people talking on the street. I enjoyed this quality, as it made the story crisply accessible, and signaled that Shaw (as usual) had social commentary on his mind, not just history.
Director Daniel Sullivan wisely has these medieval French people speak in American or Mid-Atlantic accents, except for the handful of characters who are actually English, like the Earl of Warwick, played with oily charm by Jack Davenport. Sullivan also understands that, although Joan met a tragic end, Shaw never stopped writing comedy, and applies a needed light touch.
Of course, the actress playing Joan defines any production of Saint Joan, and in this case we have Condola Rashad who does solid, thoughtful work. I’ve seen far too many bad puns about fire in reviews of Saint Joan, so believe me when I say I mean no such thing when I tell you Rashad gives her a slow steady burn. She is aided by a superb supporting cast, particularly Patrick Page as a terrifyingly calm and methodical Inquisitor, and John Glover as an archbishop as politically cunning as he is theologically astute. Recommended.
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To learn about Jonathan Warman’s directing work, see jonathanwarman.com.