Review: Rocktopia

As corny as this might be, there is no resisting the visceral power of an amplified symphony orchestra blasting the most crowd-pleasing classic rock out there. The concert opens with Richard Strauss’s “Also Sprach Zarathustra” from the film 2001 A Space Odyssey and segues directly into The Who’s “Baba O’Riley,” which is tantamount to saying: “Yes, this is exactly what you expected it would be.” Which is a whole lot of cliched yet still powerful classic rock fun.

Rocktopia takes a slightly surprising turn when it pairs Handel’s aria “Lascia Ch’io Pianga” – which also appeared earlier this season as the thrilling finale of Farinelli and the King – with Elton John’s “Don’t Let the Sun Go Down on Me.” Less obvious and genuinely clever. The evening as a whole leans toward the pleasantly accessible.

The only real failure is a too-gentle version of Led Zeppelin powerhouse “Kashmir” accompanied by images, not of the region of India that gives the song its name and sound, but of Egypt. Wha? The only right-on element in this song was the gorgeous vocal of Pat Monahan from the band Train.

Which bring me to the most rock-solid part of the show: the vocals. Guest star Monahan makes several appearances, mostly covering Zeppelin which is perfect for his voice. The most consistently magnificent – and versatile – singer is Chloe Lowery, who pairs fantastic range with a flair for dramatic builds. Tony Vincent, a personal favorite, brings his soaring tenor vocals and incandescent glam-rock fire to lots of Freddie Mercury material, but also, most unexpectedly and thrillingly to Muse’s “Uprising.” Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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