Review: Lena Hall

This show is all about auditioning, which Lena Hall has been doing from a young age, often as part of a teen musical theatre troupe. The present-day Hall sings beautifully in a spectacular range of styles – vocally she brings to my mind Christine Ebersole, which is a big compliment. Hall performs with a glee and verve that’s gotten her pegged as the rock and roll singing actress. She doesn’t mind that, but does mind a bit that it keeps her from the full range of roles she could own.

This show, entitled “The Art of the Audition,” features songs from shows that Hall auditioned for (City of Angels, Oklahoma!, Legally Blonde) and shows from which she took her audition songs (A Chorus Line, Follies, Die Zauberflöte). That’s right, she goes from “Dance 10: Looks 3” to Mozart’s devilishly high Queen-of-the-Night aria “Der Hölle Rache.”

She’s too self-depricating about the Mozart aria; she, in her own words, “nails it.” And for everything she turns her hand to, be it rock, classical or traditional musical comedy, shows her to be an actor-singer who is equally excellent at acting and singing, which is rarer than you might think.

Her singing, whether load or soft, is never anything less than full-throated. And her rapport with music director Brian Nash is warm and engaging, a very entertaining side show by itself. When she’s singing, no matter the style, she is an unquestionable fierce ruling diva. Overall, the show was a genuine pleasure, and Hall an immensely engaging performer. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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