Review: Paige Turner

To paraphrase drag legend Chad Michaels, Paige Turner is a professional, dammit! This showbiz spitfire’s current show Drag Me To The Top is thought out down to every second and every step, and yet never feels less than completely fresh. She’s also confident enough to be completely spontaneous – she can handle audience reaction with the best of them. If there’s a moment that doesn’t land like she wanted, she’ll be the first one to tell you, and then do it again, the right way. Plus, she never gives less than total commitment. You get the feeling that she’d give the same performance for an audience of one that she’d give for a full house.

Now lest all this sound too stiff, be assured that Ms. Turner is first and foremost a comedy queen, and often a very raunchy one at that. In fact, in an extended and hilarious slide presentation about the different varieties of bottoms, she involuntarily guffawed and happily blurted “this is so fucking stupid!”

She also is a first-rate singer, mostly in the service of the sort of relyricized song parodies that are the bread and butter of singing drag queens. She also plays a couple of songs completely seriously, and does some impressive belting that you might not even notice because it serves the moment in the song so perfectly. Now, that is professional! While she doesn’t do any complex or flashy choreography, she is in constant motion, and rarely relies on being downstage center to make her points. The director in me was absolutely tickled that this girl really knows how to use her diagonal crosses, bless her. One of the more enjoyable drag shows I’ve seen in a while, and highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see

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