Review: Torch Song

Harvey Fierstein first became famous playing drag queen Arnold Beckoff, the central character in the play he wrote for himself, Torch Song Trilogy. As someone who covers a lot of gay theatre, most productions of this play I’ve seen make the mistake of casting someone in their 40s or 50s as Arnold, when Fierstein himself was in his 20s when he played the role. What a treat, then, to see Michael Urie, only in his 30s, perfectly cast in this fine revival.

Torch Song follows Beckoff from 1971 through 1980 as he negotiates finding love, and losing it. Instead of aping Fierstein’s gravely growl, Urie switches between his normal voice and, for added sissy sass, a variation on that cartoon queen Snagglepuss, even. His knack for comedy is wickedly sharp, especially in a hilarious backroom scene. He also plays less to Arnold tragic side, which oddly makes all the heartbreak he goes through that much sharper.

The last act is by far the juiciest part of the play, and Mercedes Ruehl makes a ferocious late entrance as Arnold’s mother. Also terrific is Michael Rosen as Arnold’s pretty younger boyfriend Alan, and Jack DiFalco as David, the smartass gay teen Arnold is planning to adopt. The production doesn’t get everything right – the design for 1971 looks and sounds like a few years later than that – but it gets very close. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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