Dutch singer Sven Ratzke had a sparkling opening night a Joe’s Pub last night, with a whole bunch of East Village glitterati in attendance, including nightlife legends Chi Chi Valenti and Johnny Dynell, pioneering performance artist Penny Arcade, Matthew Crosland and Dan Fortune. Ratzke was doing the American premiere of his club act Homme Fatale, and I had this brief exchange with him about the show.
For the purposes of this show, what is your definition of Homme Fatale?
A Homme Fatale is a man that you can compare to a femme fatale. He can be dangerous, wild, and seductive: a pimp, hustler, womanizer, Casanova, Mephisto and many more characters. A Homme Fatale can be also get lost in his own mystery or his own role. But a Homme Fatale means also a man that overcomes fate, that gets in a fatal situation. That can be very feminine and mysterious. So it’s open to interpretation!
Does the idea of Homme Fatale have anything to do with androgyny?
Yes, of course it can. Seduction is always associated with females, while males are more the predator. I totally do not agree. I think especially in our time, these lines are crossing.
Are you a Homme Fatale?
Yes, of course. It’s a title I got a long time ago from the European press. In the beginning, I didn’t know what they meant. I was intrigued.
What, musically, should we expect from this show?
A lot of original new songs. I asked amazing songwriters to write stories and songs for me. And I wrote many songs myself, alone or in collaboration, for example, with the New York-based Rachelle Garniez. And we give new interpretations of the “Hommes Fatale” of pop: Lou Reed, David Bowie, Joy Division and Iggy Pop.
What, theatrically, should we expect from this show?
I take the audience on a trip, like LSD. But you will have no hangover the next day! A trip into the night, around the world with crazy storytelling, swinging songs and intimate ballads. And I’m an entertainer, a stage animal.
This show is about “pimps, lovers, thieves, legends, angels and devils” – that sounds like Jean Genet’s world. Is he an influence here?
Oh yes! A wild Genet dream with a touch of Oscar Wilde, Fassbinder, Bowie and many more.
For tickets, click here.
To learn about Jonathan Warman’s directing work, see jonathanwarman.com.