Review: Lee Roy Reams

He’s the archetypal gay chorus boy made good. In 1970, Lee Roy Reams played arguably the first openly gay character with lines in a Broadway musical (Margo Channing’s hairdresser Duane in Applause!), and in 1980 he got one of the biggest breaks of his career, originating the role of Billy Lawlor in the Tony Award-winning musical 42nd Street. Just like the eternal gypsy queen he is, he has all the good dish on that show, and knows just how to spill it.

While Reams may have some choice words for certain people, there is not a single drop of malice in his storytelling. He tells the whole truth, but he tells it entertainingly and with an underlying warmth. He may admit he doesn’t know to this day whether Tammy Grimes is a good actress, but he also admits she has some kind of fascinating “star quality” and once he let her know he knew where to get laughs (but was willing to share the laugh) they became fast friends. His harshest words are for producer David Merrick, but even those are mixed with an admiration with Merrick’s unparalled ability to get the show up and get the tickets selling.

Reams intersperses the backstage human comedy (and drama and tragedy) with his own take on a hefty chunk of the show’s score. All of the interpretations are a pleasure to hear, but things lift an extra amount when he takes on the songs he personally sang in the show; it’s like some kind of muscle memory kicks in, and Lee Roy gets an extra BOOM to his sound. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see

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