Review: Raja

We always knew she was a goddess! One of the most effortlessly stylish queens ever to appear on RuPaul’s Drag Race is making her much-anticipated solo cabaret debut at the Laurie Beechman Theatre. Aptly titled Gawdess, the show features a little bit of everything: some singing, a whole lot of fashion fierceness, and, thank you Gawdess, some good old-fashioned lip-synching!!! In particular, a slinky lip-synch to Sade’s “Is It A Crime” is legendarily good.

And even though she says “that all the choreography you’re going to get” after a handful of steps in her opener – a sung cover of Banarama’s “Venus” – don’t you believe it. Raja swirls, twirls and dips with aplomb throughout the entire act, most impressively undulating a large golden cape with such skill that she reminded of modern dance pioneer Loie Fuller.

The show isn’t ambitious – it’s peppered with life lessons Raja’s picked up, but she doesn’t linger on them – but it’s such a good time! Raja has a warm charismatic presence, which makes you think she’d be able to put over just about anything she puts her mind to. Here, she’s not trying to do anything but give us sheer glittery gay fun, and she succeeds splendidly. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see

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