Review: Present Laughter

In aging matinee idol Garry Essendine, the central character in Present Laughter, playwright and gay sophisticate Noël Coward created one of the great comic monsters of the modern theater. All the greater because behind his arrogant, preening exterior, Garry is actually a compassionate, loving person, surprisingly devoted to the friends he so often bullies and insults. He just can’t help getting dazzled by his own brilliance (“I still maintain I should have been magnificent as Peer Gynt!”) — and who can’t identify with that?

It’s a truly luscious role, and Kevin Kline makes a full meal of it. He comically plays up Garry’s ego – he’s the most elaborately florid Garry, which is delicious. But he also takes Garry’s relationships with his tight-knit circle of friends totally to heart. This makes for a very textured Present Laughter. Even as you’re rolling your eyes at the excuses Garry makes for himself, you know he sincerely is trying to get it right. This is also the most precisely directed Present Laughter I’ve seen, thanks to Moritz von Stuelpnagel; every intention is crystal clear, and there’s plenty of truly inventive comic business.

While Garry struggles to plan his upcoming tour of Africa, his elegant London flat is invaded by all manner of vivid characters. Cobie Smulders, as femme fatale Joanna, positively slithers around the stage in costume designer Susan Hilferty’s gorgeous bias-cut gown. Kate Burton as Garry’s wife Liz is almost as plummy as Kline, and comedy treasure Kristine Nielsen is perfectly cast as his wry, indispensable secretary Monica. Highly recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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