Review: tick, tick…BOOM!

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This pop-rock musical gets most of its pungency from the score’s lively, inventive songs. tick, tick…BOOM! is also haunted by the fact that it’s an autobiographical musical from the late composer of Rent, Jonathan Larson. This gives the existential angst lead character Jonathan feels a particular edge.

tick, tick…BOOM! tells the story of an ambitious composer anxiously pondering where his career and life are headed as he approaches his 30th birthday. His girlfriend wants to get married and move out of the city, his best friend has found happiness switching from being an unsuccessful actor to a successful marketing exec, but Jonathan is still waiting on tables and trying to write the great American musical.

The score has tons of innate urgency, but director Jonathan Silverstein has smartly opted for a very grounded approach to the book scenes, creating more texture and variety. More than in previous productions, these are recognizable human beings. While in many ways tick, tick…BOOM! is undeniably a very ’90s period piece, the music is still sparklingly fresh, and the very talented cast – Nick Blaemire as Jonathan, George Salazar as his gay best friend, and Ciara Renée as his girlfriend – bring a new shine to Larson’s sophisticated vocal harmonies.

Larson’s crusade to bring rock into musical theatre doesn’t ring as urgently as it used to – in 2016 it’s a fait accompli and even a bit old-fashioned. But that’s thanks in no small part to Larson himself, and tick, tick…BOOM! reminds us what a nonpariel master of the rock musical he was. Recommended.

For tickets, click here.

To learn about Jonathan Warman’s directing work, see jonathanwarman.com.

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