Review: Alec Mapa

I’m more than a little partial to comedy that tells a story; Lily Tomlin’s Search for Signs of Intelligent Life in the Universe and Jonny McGovern’s Dirty Stuff are two of my favorite performance pieces ever. I also really like evenings that combine stand-up with gay-themed narrative, like most of Judy Gold’s recent work. So I’m not in the least surprised that I positively love Baby Daddy, the act that “America’s Gaysian Sweetheart” Alec Mapa is currently doing at the Laurie Beechman Theater.

The show is mostly about what has happened since Mapa and his husband, documentary film producer Jamison Hebert, adopted a five-year old black boy from Compton. Mapa has structured the act very intelligently, starting with up-to-the-minute topical material (Ann Romney’s “you people” gaffe was one of the first subjects the night I went), passing gradually to stuff about the funnier side of parenting, and zeroing in the more touching side of parenthood only as the show approaches its end.

Alec includes every side of his life in this act: lost luggage on the way to gay cruises, mid-life crisis circuit partying, and musing on the possibility that Christina Crawford was a thankless brat. Mapa is my favorite kind of comedy writer, one who realizes than scatological humor and intellectual wit aren’t mutually exclusive, as a matter of fact they can happen in the same line.

Mapa name-checks musical theatre in general – and Dorothy Loudon in particular – as being the well-spring of his desire to perform. Mapa self-deprecatingly says that this show isn’t going to reach Loudon-worthy heights (though for my money it gets much closer to that kind of incandescence than stand-up usually does). Mapa spins gay parenthood into show biz gold – ya better not miss it, kid!

For tickets, click here.

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