Monthly Archives: July 2009

Review: Hair

You could easily argue (and many people have) that without “Hair: The American Tribal Love-Rock Musical” we wouldn’t have “Rent” and “Spring Awakening” today. This overstates the case: While “Hair” did create a rock musical trend on Broadway in 1968, … Continue reading

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Review: West Side Story

I’m biased here: I’m a complete Leonard Bernstein nut. I’ve been very excited ever since I first heard about the new Broadway revival of “West Side Story,” perhaps with a twinge of worry that director Arthur Laurents’s self-professed “radical vision” … Continue reading

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Review: God of Carnage

I appreciate that playwright Yasmina Reza is aiming at some kind of satire of bourgeois values in “God of Carnage.” As always with her plays, however, her aim is neither as exact—nor her insight as deep—as she seems to all-too-smugly … Continue reading

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Review: Blithe Spirit

There’s a Noel Coward song that opens with the line “I’ve been to a marvelous party,” and that’s the feeling I had exiting the effervescent new Broadway production of his “Blithe Spirit.” It’s simply the most outright fun I’ve had … Continue reading

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Interview: Charles Busch

From March 2009: Legends!—a hilarious comedy about two glamorous, Hollywood has-beens and arch-rivals forced to consider working together on a new project to resuscitate their careers—is one of the most notorious theatrical properties ever written, mostly for what happened behind-the-scenes.  … Continue reading

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Interview: Ann Hampton Callaway

[Note: This interview from February 2009 marked the first time that Ann Hampton Callaway had candidly discussed her life as a lesbian. It originally ran in the New York Blade] Ann Hampton Callaway—the multiplatinum-selling pop and jazz singer/songwriter best known … Continue reading

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Interview: Christine Ebersole

From January 2009: The club act that Christine Ebersole did in late 2001 at the much-missed cabaret Arci’s Place is the stuff of cabaret legend. It caused my husband Gacin to exclaim “She’s faaaabulous!” and me to write that she … Continue reading

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Review: Shrek

Big, well-funded Broadway musicals based on proven properties and aimed at children don’t have to be great (“The Lion King” to the contrary). They just have to be good enough, solidly structured entertainment. By those standards, the musical version of … Continue reading

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Review: Billy Elliot

The new Broadway musical “Billy Elliot” has been hyped over the moon. The real story: The show is, yes, truly impressive, but something just a bit less than the “best new musical in years.” Based on the indie Brit movie … Continue reading

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Review: This is Burlesque

“This is Burlesque” is the kind of show that just goes better with a cocktail. Conveniently, this shots flow freely at an on-stage bar during intermission. The cozy Tribeca space Corio cultivates an early 20th century feel, which suits this … Continue reading

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